RM89
Info
From the Heart, 2024
mixed media, description
Mixed media: Ripped magazines on foam, oak wood crate, acrylic gloss
An anatomical heart appears from assembled faces—strangers, icons, witnesses—pressed together until their emotions become indistinguishable from one another. Desire next to grief, peace next to fear. As you step back, the organ becomes a collective pulse, beating with everything we absorb but can’t quite accurately name.
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Chains tighten around the shape giving us a reminder of how difficult it is to be only ourselves. Identity tugs, strains, contracts. The red lips at the center pull the eye with their seduction—a nice interruption in a world of grayscale, hinting at the desires that quicken the heartbeat yet complicate the balance of the psyche. A declaration is mixed in with the faces, questioning where our “I” even begins. 
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It’s From My Heart is a piece made from the heart with the ruggedness of a New York City crate, staples, and chains, and the pain and vulnerability of a beating heart that is always trying to locate a Self inside.
Untitled (White Confessions), 2022
mixed media, description
Mixed media: rosary, spray paint, acrylic
Untitled (White Confession) brings together religion, gender, and the weight of value into a restrained composition. The Hail Mary beads of the rosary, shaped into a subtle phallic form, hover at the top, pointing to the influence of masculinity. Two crosses sit nearby, creating a quiet framework that surrounds the center without overtaking it.

At the heart of the piece is a lone quarter. Its placement suggests the tension between the moral guidance offered by religion and the practical authority held by money. The work raises an open question: which force shapes our behavior more, and how intertwined have they become?

Coated entirely in white, the objects take on a stripped, almost clinical presence. The color choice softens their individual identities while emphasizing the structures they represent.

Untitled (White Confession) reflects on belief, control, and value through a simple arrangement that invites the viewer to consider how these systems continue to influence everyday life.
Clockbrain, 2025
mixed media, description
Mixed media: aluminum, quartz clocks, wire
Clock Brain presents a suspended, fragmented face built from mirrored aluminum forms wired into proximity. The split structure reflects the way internal messaging can feel disconnected, even as we attempt coherence.

Ninety-nine clocks span the surface, some running and others stopped, suggesting the uneven timelines of thought, memory, and unresolved pressure. Mirrored eyes return the viewer’s gaze; quarters embedded in the irises point to the influence of money on perception, while red-cross pupils suggest that belief systems quietly shape how we see. The mouth, open yet bound, hints at restraint and self-censorship.

Hung like a controlled figure, Clock Brain examines how time, value, and external forces shape the anxious mind.
Less Rolex More Roses, 2025
video, description
Video, 60 seconds
Williamsburg, NYC

A discarded shopping cart was carried up subway stairs, spray-painted white, filled with 50 red roses from Lucy’s Flowers, and chained to a telephone pole outside Whole Foods.

Over one day, all 50 roses were taken. QR codes placed along nearby poles were scanned. Over 120 scans.

The activation invited passersby to take a rose—freely—while encountering the phrase Less Rolex, More Roses, a response to the growing luxury retail presence in the neighborhood, including a new Rolex store under construction nearby.

Scanning the QR code led to a short PDF exploring the red rose as a fleeting, natural form—its color formed without human intervention, its history tied to blood, desire, sacrifice, love, and renewal.

Created around Thanksgiving, the piece centers on giving, impermanence, and what we choose to value.

Artist: Rachel Mariotti
Co-creator / Producer: Ronie Jones
Videography: Waylon Bones
Information
Rachel is a New York–based mixed media artist whose work spans physical assemblage, collage, experimental video, and emerging forms of cross-disciplinary collaboration. Her practice explores the psychological and embodied experiences that shape human behavior—identity, pressure, belief, contradiction, and the subtle emotional currents that move between people.

With a Master’s degree in Applied Psychology from New York University, Mariotti works professionally as both a licensed mental health therapist and full-time fitness coach. The interplay between mind and body is central to her creative process; themes of emotional circuitry, fragmentation, restraint, and resilience often surface across her work, regardless of medium.

Raised in Youngstown, Ohio in the industrial “Steel Valley,” Mariotti grew up around tools, machinery, and the engineering sensibility of her father. While this environment shaped her early material intuition, her current practice remains open and evolving—incorporating found objects, photography, sound, and film as she expands her visual language.

Mariotti balances her practice with raising her young daughter, whose presence continually informs her understanding of perception, vulnerability, and the reinvention of self.
Contact
rachelmariotti@gmail.com
Based in NYC
Website designed and developed by Karina Lopez